Untitled (Family Portrait),  2018, 40 x 30 inches, 22 karat and composition gold leaf on canvas

Untitled (Family Portrait), 2018, 40 x 30 inches, 22 karat and composition gold leaf on canvas

  WOMEN ARE POWERFUL AND DANGEROUS,  2017, 52 x 51.5 inches, composition gold leaf with watercolor on paper

WOMEN ARE POWERFUL AND DANGEROUS, 2017, 52 x 51.5 inches, composition gold leaf with watercolor on paper

  Damaged Emergency Blanket (for the Black and Blue Atlantic),  2018, 42 x 158 1⁄4 inches (with variable installation dimensions), composition gold leaf, acrylic spray paint and marbled paper collage on distressed paper

Damaged Emergency Blanket (for the Black and Blue Atlantic), 2018, 42 x 158 1⁄4 inches (with variable installation dimensions), composition gold leaf, acrylic spray paint and marbled paper collage on distressed paper

  Decoration (chain and link for Walter Scott),  2016, 52 x 96 inches, composition gold leaf on paper

Decoration (chain and link for Walter Scott), 2016, 52 x 96 inches, composition gold leaf on paper

  Untitled (Two Girls And Love),  2018, 48 x 36 x ¾ inches, composition gold leaf on canvas

Untitled (Two Girls And Love), 2018, 48 x 36 x ¾ inches, composition gold leaf on canvas

  REMAIN HUMBLE BUT STILL LET THESE BITCHES KNOW (Sumi Ink I) , 2017, 84 x 52 inches, composition gold leaf with Sumi ink on paper

REMAIN HUMBLE BUT STILL LET THESE BITCHES KNOW (Sumi Ink I), 2017, 84 x 52 inches, composition gold leaf with Sumi ink on paper

  Damaged Emergency Blanket (for O. B.),  Installation View,  BLACK BLOODED,  New Gallery of Modern Art, Charlotte, NC, 2018, 50 x 100 inches, acrylic, composition gold leaf and metallic wax on distressed paper

Damaged Emergency Blanket (for O. B.), Installation View, BLACK BLOODED, New Gallery of Modern Art, Charlotte, NC, 2018, 50 x 100 inches, acrylic, composition gold leaf and metallic wax on distressed paper

  A View Beyond the Trees,  Installation View I, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, various dimensions, mixed media

A View Beyond the Trees, Installation View I, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, various dimensions, mixed media

  Hood (for Trayvon Martin, David Hammons and Barack Obama – if he had a son),  Installation View,  A View Beyond the Trees,  Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, 10 x 8 inches, composition gold leaf on canvas

Hood (for Trayvon Martin, David Hammons and Barack Obama – if he had a son), Installation View, A View Beyond the Trees, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, 10 x 8 inches, composition gold leaf on canvas

  Untitled (Mike Brown’s Battle at Normandy),  2016, 24 x 18 inches, composition gold leaf on canvas

Untitled (Mike Brown’s Battle at Normandy), 2016, 24 x 18 inches, composition gold leaf on canvas

  BLACK LIVES MATTER  (Transformation), 2016, 52 x 81 inches, composition gold leaf on paper

BLACK LIVES MATTER (Transformation), 2016, 52 x 81 inches, composition gold leaf on paper

  Untitled (Graduate),  2018, 36 x 24 inches, composition gold leaf on canvas

Untitled (Graduate), 2018, 36 x 24 inches, composition gold leaf on canvas

  Battle Royal (a duel for, in honor of and because …), Installation View,  The Things We Carry: Contemporary Art in the South,  Gibbes Museum of Art, Charleston, SC, 2016, diptych, 52 x 196 inches, composition gold leaf on paper

Battle Royal (a duel for, in honor of and because…), Installation View, The Things We Carry: Contemporary Art in the South, Gibbes Museum of Art, Charleston, SC, 2016, diptych, 52 x 196 inches, composition gold leaf on paper

  Untitled (Study for E. T.),  2017, 27 x 35 inches, composition gold leaf, Sumi ink and acrylic on paper

Untitled (Study for E. T.), 2017, 27 x 35 inches, composition gold leaf, Sumi ink and acrylic on paper

  I LIKE BEING THE TOKEN AND SO DO YOU  (Camo), 2016, 52 x 52 inches, composition gold and aluminum leaf, India ink and singed paper

I LIKE BEING THE TOKEN AND SO DO YOU (Camo), 2016, 52 x 52 inches, composition gold and aluminum leaf, India ink and singed paper

  We Radical Women Wanted A Black Revolution (for M. H.),  2017, 101 1/8 x 51 3⁄4 inches inches, 22 karat gold leaf, composition gold and aluminum leaf with gouache, watercolor, acrylic, and Sumi ink on paper

We Radical Women Wanted A Black Revolution (for M. H.), 2017, 101 1/8 x 51 3⁄4 inches inches, 22 karat gold leaf, composition gold and aluminum leaf with gouache, watercolor, acrylic, and Sumi ink on paper

  EVERY BODY LOVES THE SUNSHINE (Vertical Stack / Split),  2016,  76 x 52 inches, composition gold leaf on paper

EVERY BODY LOVES THE SUNSHINE (Vertical Stack / Split), 2016,

76 x 52 inches, composition gold leaf on paper

  Golden,  2016, 33 x 25 inches, composition gold leaf and acrylic on paper

Golden, 2016, 33 x 25 inches, composition gold leaf and acrylic on paper

  Untitled (Family Portrait),  2018, 40 x 30 inches, 22 karat and composition gold leaf on canvas
  WOMEN ARE POWERFUL AND DANGEROUS,  2017, 52 x 51.5 inches, composition gold leaf with watercolor on paper
  Damaged Emergency Blanket (for the Black and Blue Atlantic),  2018, 42 x 158 1⁄4 inches (with variable installation dimensions), composition gold leaf, acrylic spray paint and marbled paper collage on distressed paper
  Decoration (chain and link for Walter Scott),  2016, 52 x 96 inches, composition gold leaf on paper
  Untitled (Two Girls And Love),  2018, 48 x 36 x ¾ inches, composition gold leaf on canvas
  REMAIN HUMBLE BUT STILL LET THESE BITCHES KNOW (Sumi Ink I) , 2017, 84 x 52 inches, composition gold leaf with Sumi ink on paper
  Damaged Emergency Blanket (for O. B.),  Installation View,  BLACK BLOODED,  New Gallery of Modern Art, Charlotte, NC, 2018, 50 x 100 inches, acrylic, composition gold leaf and metallic wax on distressed paper
  A View Beyond the Trees,  Installation View I, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, various dimensions, mixed media
  Hood (for Trayvon Martin, David Hammons and Barack Obama – if he had a son),  Installation View,  A View Beyond the Trees,  Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, 10 x 8 inches, composition gold leaf on canvas
  Untitled (Mike Brown’s Battle at Normandy),  2016, 24 x 18 inches, composition gold leaf on canvas
  BLACK LIVES MATTER  (Transformation), 2016, 52 x 81 inches, composition gold leaf on paper
  Untitled (Graduate),  2018, 36 x 24 inches, composition gold leaf on canvas
  Battle Royal (a duel for, in honor of and because …), Installation View,  The Things We Carry: Contemporary Art in the South,  Gibbes Museum of Art, Charleston, SC, 2016, diptych, 52 x 196 inches, composition gold leaf on paper
  Untitled (Study for E. T.),  2017, 27 x 35 inches, composition gold leaf, Sumi ink and acrylic on paper
  I LIKE BEING THE TOKEN AND SO DO YOU  (Camo), 2016, 52 x 52 inches, composition gold and aluminum leaf, India ink and singed paper
  We Radical Women Wanted A Black Revolution (for M. H.),  2017, 101 1/8 x 51 3⁄4 inches inches, 22 karat gold leaf, composition gold and aluminum leaf with gouache, watercolor, acrylic, and Sumi ink on paper
  EVERY BODY LOVES THE SUNSHINE (Vertical Stack / Split),  2016,  76 x 52 inches, composition gold leaf on paper
  Golden,  2016, 33 x 25 inches, composition gold leaf and acrylic on paper

Untitled (Family Portrait), 2018, 40 x 30 inches, 22 karat and composition gold leaf on canvas

WOMEN ARE POWERFUL AND DANGEROUS, 2017, 52 x 51.5 inches, composition gold leaf with watercolor on paper

Damaged Emergency Blanket (for the Black and Blue Atlantic), 2018, 42 x 158 1⁄4 inches (with variable installation dimensions), composition gold leaf, acrylic spray paint and marbled paper collage on distressed paper

Decoration (chain and link for Walter Scott), 2016, 52 x 96 inches, composition gold leaf on paper

Untitled (Two Girls And Love), 2018, 48 x 36 x ¾ inches, composition gold leaf on canvas

REMAIN HUMBLE BUT STILL LET THESE BITCHES KNOW (Sumi Ink I), 2017, 84 x 52 inches, composition gold leaf with Sumi ink on paper

Damaged Emergency Blanket (for O. B.), Installation View, BLACK BLOODED, New Gallery of Modern Art, Charlotte, NC, 2018, 50 x 100 inches, acrylic, composition gold leaf and metallic wax on distressed paper

A View Beyond the Trees, Installation View I, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, various dimensions, mixed media

Hood (for Trayvon Martin, David Hammons and Barack Obama – if he had a son), Installation View, A View Beyond the Trees, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA, 2016, 10 x 8 inches, composition gold leaf on canvas

Untitled (Mike Brown’s Battle at Normandy), 2016, 24 x 18 inches, composition gold leaf on canvas

BLACK LIVES MATTER (Transformation), 2016, 52 x 81 inches, composition gold leaf on paper

Untitled (Graduate), 2018, 36 x 24 inches, composition gold leaf on canvas

Battle Royal (a duel for, in honor of and because…), Installation View, The Things We Carry: Contemporary Art in the South, Gibbes Museum of Art, Charleston, SC, 2016, diptych, 52 x 196 inches, composition gold leaf on paper

Untitled (Study for E. T.), 2017, 27 x 35 inches, composition gold leaf, Sumi ink and acrylic on paper

I LIKE BEING THE TOKEN AND SO DO YOU (Camo), 2016, 52 x 52 inches, composition gold and aluminum leaf, India ink and singed paper

We Radical Women Wanted A Black Revolution (for M. H.), 2017, 101 1/8 x 51 3⁄4 inches inches, 22 karat gold leaf, composition gold and aluminum leaf with gouache, watercolor, acrylic, and Sumi ink on paper

EVERY BODY LOVES THE SUNSHINE (Vertical Stack / Split), 2016,

76 x 52 inches, composition gold leaf on paper

Golden, 2016, 33 x 25 inches, composition gold leaf and acrylic on paper

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