Come hell or high water... this time it’s gonna be different
Come hell or high water... this time it’s gonna be different

Installation view, 0 to 60: The Experience of Time in Contemporary Art, NC Museum of Art, Raleigh, NC, 2013, mixed media wall installation, 8’ 10” x 41 ½ feet

Damaged Emergency Blanket (for B. McQ.)
Damaged Emergency Blanket (for B. McQ.)

2015, composition gold and aluminum leaf on distressed paper, 50 x 90 inches

 

Leukerbad
Leukerbad

Installation view, Southern Constellations: Selections from Elsewhere Museum’s Curatorial Initiative Supporting Experimental Art Practice in the South, Appalachian State University, Smith Gallery, Boone, NC, reclaimed wooden table with composition gold leaf, carving and pyrography, 30 (h) x 33 (l) x 33 (w) inches

Untitled (Island I)
Untitled (Island I)

2012, burned, branded and singed paper with watercolor, 52 x 52 inches

LL (Loretta Lynch)
LL (Loretta Lynch)

2015, composition gold leaf on canvas, 36 x 24 inches

Moby Dick
Moby Dick

installation view, Area 919: Artists in the Triangle, The Nasher Museum of Art at Duke University, Durham, NC, 2013, paper relief with composition gold leaf, 29 x 43 inches

Gold Self
Gold Self

2014, composition gold leaf on canvas, 14 x 11 inches

Mirror
Mirror

2015, composition gold and aluminum leaf on distressed paper, 72 x 48 inches

Epitaph For A Darling Lady
Epitaph For A Darling Lady

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, variable dimensions

A Midnight Race Between A Butterfly And An Eclipse
A Midnight Race Between A Butterfly And An Eclipse

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, laser burned paper, 88 x 150 inches

Epitaph For A Darling Lady
Epitaph For A Darling Lady

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, variable dimensions

Goldenhot Butterfly Queen
Goldenhot Butterfly Queen

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, composition gold leaf and watercolor on paper, 96 x 52 inches

Welcome to Magic City
Welcome to Magic City

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, photo-lithographic wall mural, latex paint, laser cut plywood, composition gold leaf, metal and velvet rope and brass stanchions, variable dimensions

Smile
Smile

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, laser burned paper, 22 x 30 inches

Untitled (Island V)
Untitled (Island V)

2012, burned, branded and singed paper with watercolor, 52 x 52 inches

The Secret of Life of Plants
The Secret of Life of Plants

Installation view, When The Stars Begin To Fall: Imagination and the American South, The Studio Museum in Harlem, New York, 2014, burned and branded canvas collage with composition gold leaf, lamé and various metallic textiles, 70 x 90 inches

Damaged Emergency Blanket (for A. W.)
Damaged Emergency Blanket (for A. W.)

Installation view, The Nothing That Is – A Drawing Show in Five Parts, Contemporary Art Museum - Raleigh, Raleigh, NC, 2015, composition gold and aluminum leaf on distressed paper, 50 x 50 inches

The Gulf Stream (after Winslow Homer)
The Gulf Stream (after Winslow Homer)

1899/2013, branded, burned and singed paper with watercolor, gold leaf and glitter, 33 x 44 inches

AH (Anita Hill)
AH (Anita Hill)

2015, 24 x 18 inches, composition gold leaf on canvas

Golden Blue (Island)
Golden Blue (Island)

2015, 34 x 47 inches, acrylic and composition gold leaf on paper

BLAH, BLAH, BLAH
BLAH, BLAH, BLAH

2014, 35 1/4 x 27 inches, composition gold leaf on paper

Look/See
Look/See

2010, Installation view, Park Pictures, North Carolina Museum of Art, Raleigh, NC, reflective vinyl covered billboard, 5 x 12 feet

Come hell or high water... this time it’s gonna be different
Damaged Emergency Blanket (for B. McQ.)
Leukerbad
Untitled (Island I)
LL (Loretta Lynch)
Moby Dick
Gold Self
Mirror
Epitaph For A Darling Lady
A Midnight Race Between A Butterfly And An Eclipse
Epitaph For A Darling Lady
Goldenhot Butterfly Queen
Welcome to Magic City
Smile
Untitled (Island V)
The Secret of Life of Plants
Damaged Emergency Blanket (for A. W.)
The Gulf Stream (after Winslow Homer)
AH (Anita Hill)
Golden Blue (Island)
BLAH, BLAH, BLAH
Look/See
Come hell or high water... this time it’s gonna be different

Installation view, 0 to 60: The Experience of Time in Contemporary Art, NC Museum of Art, Raleigh, NC, 2013, mixed media wall installation, 8’ 10” x 41 ½ feet

Damaged Emergency Blanket (for B. McQ.)

2015, composition gold and aluminum leaf on distressed paper, 50 x 90 inches

 

Leukerbad

Installation view, Southern Constellations: Selections from Elsewhere Museum’s Curatorial Initiative Supporting Experimental Art Practice in the South, Appalachian State University, Smith Gallery, Boone, NC, reclaimed wooden table with composition gold leaf, carving and pyrography, 30 (h) x 33 (l) x 33 (w) inches

Untitled (Island I)

2012, burned, branded and singed paper with watercolor, 52 x 52 inches

LL (Loretta Lynch)

2015, composition gold leaf on canvas, 36 x 24 inches

Moby Dick

installation view, Area 919: Artists in the Triangle, The Nasher Museum of Art at Duke University, Durham, NC, 2013, paper relief with composition gold leaf, 29 x 43 inches

Gold Self

2014, composition gold leaf on canvas, 14 x 11 inches

Mirror

2015, composition gold and aluminum leaf on distressed paper, 72 x 48 inches

Epitaph For A Darling Lady

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, variable dimensions

A Midnight Race Between A Butterfly And An Eclipse

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, laser burned paper, 88 x 150 inches

Epitaph For A Darling Lady

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, variable dimensions

Goldenhot Butterfly Queen

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, composition gold leaf and watercolor on paper, 96 x 52 inches

Welcome to Magic City

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, photo-lithographic wall mural, latex paint, laser cut plywood, composition gold leaf, metal and velvet rope and brass stanchions, variable dimensions

Smile

Installation view, Epitaph For A Darling Lady, Visual Arts Center of Richmond, Richmond, VA, 2015, laser burned paper, 22 x 30 inches

Untitled (Island V)

2012, burned, branded and singed paper with watercolor, 52 x 52 inches

The Secret of Life of Plants

Installation view, When The Stars Begin To Fall: Imagination and the American South, The Studio Museum in Harlem, New York, 2014, burned and branded canvas collage with composition gold leaf, lamé and various metallic textiles, 70 x 90 inches

Damaged Emergency Blanket (for A. W.)

Installation view, The Nothing That Is – A Drawing Show in Five Parts, Contemporary Art Museum - Raleigh, Raleigh, NC, 2015, composition gold and aluminum leaf on distressed paper, 50 x 50 inches

The Gulf Stream (after Winslow Homer)

1899/2013, branded, burned and singed paper with watercolor, gold leaf and glitter, 33 x 44 inches

AH (Anita Hill)

2015, 24 x 18 inches, composition gold leaf on canvas

Golden Blue (Island)

2015, 34 x 47 inches, acrylic and composition gold leaf on paper

BLAH, BLAH, BLAH

2014, 35 1/4 x 27 inches, composition gold leaf on paper

Look/See

2010, Installation view, Park Pictures, North Carolina Museum of Art, Raleigh, NC, reflective vinyl covered billboard, 5 x 12 feet

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